Because the tracks aren't the same track but delayed, there is little comb filtering, and if there is any it will randomly and quickly move frequencies to the point where it's impossible to hear.Īny multiple tracking will quickly expose poor rhythm technique, whether it's double or quadruple, or n-tuple, panned hard left/right or mixed 60/40 or whatever. The reason actual double-tracking sounds good is because the stereo spread creates the illusion of an atmospheric (wider, surrounding-er) sound. You're getting a detune effect and a comb filter. You add signals to the edges of the two tracks so they can wait for the. Y Track: In a Y track, a single track (usually ending at a station or warehouse), splits into 2 lines going to different locations. If you use too much, it's all mush.ĭelaying one signal is complete bullshit and will sound like shit. Double tracking usually costs a lot less due to the parallel track cost reduction, but all the same, long lines are expensive to double track. I have gotten it perfect on small parts though, and it sounds great, but you really have to watch the gain. I fully admit the main reason I don't use it at all is because I can't get my rhythms tight enough. I have found I could get a great tone from quad-tracking, but it takes a very good rhythm to get it to sound right. ok, ok, JK, don't ritualistically murder me yet! Double tracking is the same thing as just turning up the gain
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